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- Christina Stead: A ChecklistEssay1 October 1980
- Interview with Andrew TaylorEssay1 May 2004
- What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*Essay1 November 2010
- Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance MeasurementEssay1 November 2013
- R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary CultureEssay1 June 2014
- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- A Decade of ComplaintsEssay30 October 2023
- Creative Acts: Archives, Artifacts and Australian Women’s AutobiographiesEssay1 May 1996
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993
- Brunton Stephens as Literary CriticEssay1 December 1965
- Romantic Attitudes in *Geoffry Hamlyn*Essay1 December 1965
- Australia’s ‘First’ DramatistsEssay1 May 1969
- A Checklist of Australian Literature of World War IEssay1 October 1969
- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982
- The English Publication of *His Natural Life*Essay1 October 1982
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- Adam McCay and Sydney’s Literary Bohemia (1911-1947)Essay1 October 1984
- John Tranter & Les MurrayEssay1 May 1982
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- Interviewed by Martin HarrisonEssay1 October 1984