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The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into Italian

The Redemptive Theme in *His Natural Life*

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

Getting Started: The Emergence of Christina Stead’s Early Fiction

*An Imaginary Life*: The Dimensions of Self

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Decomposing Suburbia: Patrick White’s Perversity

The Drowned World of Kenneth Slessor

‘This Country is My Mind’: Les Murray’s Poetics of Place

‘That Wild Run to London’ : Henry and Bertha Lawson in England

‘Phrases Between Us’: The Poetry of Anna Wickham

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

The Tennysons in Literary Adelaide

Review of *Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy*, by Ken Gelder and Rachael Weaver