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Ada Cambridge and the First *Thirty Years*

Review of *James McAuley: Poetry, Essays and Personal Commentary* ed. Leonie Kramer, *Poetry and Gender: Statements and Essays in Australian Women's Poetry and Poetics* ed. David Brooks and Brenda Walker, and *A Question of Commitment: Australian Literature in the Twenty Years after the War* by Susan McKernan

Oodgeroo: A Selective Checklist

Review of *The Gimbals of Unease: The Poetry of Francis Webb* by Bill Ashcroft, and *A Woman's Voice: Conversations with Australian Poets* by Jenny Digby

Review of *Helen Garner*, by Kerryn Goldsworthy, *Masks, Tapestries, Journeys: Essays in Honour of Dorothy Jones*, edited by Gerry Turcotte, and *Reading Aboriginal Women's Autobiography*, by Anne Brewster

A.G. Stephens’s ‘Bookfellow’ in New Zealand

Review of *International Literature in English: Essays on the Major Writers*, edited by Robert L. Ross.

New Directions Via *A Body of Water*

Kenneth Slessor and the Chinese

Review of *Locating Australian Literary Memory*, by Brigid Magner

Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa Petersen

Authors’ Statements [Thea Astley]

Review of *Thomas Keneally’s Career and the Literary Machine* by Paul Sharrad.

Review of *Backgazing: Reverse Time in Modernist Culture* by Paul Giles

Introduction: The Uses of Irish-Australian Literature

Review of *The Experimental Fiction of Murray Bail* by Michael Ackland

Bridging Distances: Ruth Park’s *A Power of Roses* (1953)

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism

Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian Outback