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*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

The Return of the Fairy: Australian Medievalist Fantasy for the Young

Disciplined Action? The Challenges of English at Canterbury and Beyond

‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of Translation

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Introduction: The Uses of Irish-Australian Literature

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

What Created, What Perceived?: Early Responses to New South Wales

Official Criticism? Critical Practices and Australian Poetry

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

‘A Window of Life’: Essays on Ruth Park

Colonial Violence and Forgotten Fiction

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

Catherine Helen Spence, Unitarian Utopian