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- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Annual Bibliography of Studies in Australian Literature: 1983Essay1 May 1984
- A Lost Satire on the 1890s *Bulletin* Writers and BohemiansEssay1 October 1986
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Introduction: The Uses of Irish-Australian LiteratureEssay30 September 2021
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- The Historical Basis of For the Term of His Natural LifeEssay1 December 1963
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain PoemsEssay30 June 2015
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- What Created, What Perceived?: Early Responses to New South WalesEssay1 October 1975
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972