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What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018

Capricornia : Seasonal, Diurnal and Colour Patterns

Reading Byron in Kororāreka: *The Journal of Ensign Best*

Xavier Herbert: *Capricornia*

Literary Nationalism and the 1890s

Asian Stereotypes in Recent Australian Plays

‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada Cambridge

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

The Solitariness of Alex Miller

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

In His Own Sweet Time: Carmen’s Coming Out

Brereton, the *Bulletin*, and A.G. Stephens

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Generations Lost and Found: Reading Women Writers Together