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- Oodgeroo - an Educator Who Proved One Person Could Make a DifferenceEssay1 November 1994
- Review of *Sumner Locke Elliott: Writing Life. A Biography*, by Sharon Clarke, and *Pioneer Players: The Lives of Louis and Hilda Esson* by Peter FitzpatrickReview1 October 1996
- James Lester Burke, Martin Cash and Frank the PoetEssay1 May 1992
- How Newness (Not) Comes into the World: Eva Rask Knudsen’s *The Circle and the Spiral*Essay1 October 2006
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- Manifesting Literary Feminisms: Nexus and FaultlinesEssay1 November 2009
- What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*Essay1 November 2010
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Capricornia : Seasonal, Diurnal and Colour PatternsEssay1 October 1979
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- Xavier Herbert: *Capricornia*Essay1 October 1970
- Literary Nationalism and the 1890sEssay1 May 1971
- Asian Stereotypes in Recent Australian PlaysEssay1 May 1985
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- The Solitariness of Alex MillerEssay1 May 2004