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- The Family Face: Martin Boyd’s Art of MemoirEssay1 May 1976
- D. H. Lawrence in Australia: Some Recently Published LettersEssay1 May 1980
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Authors’ Statements [James McQueen]Essay1 October 1981
- Some Henry Lawson Letters to Edward GarnettEssay1 May 1985
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- *The Chant of Jimmie Blacksmith*: The Film of the BookEssay1 May 1979
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- Authors’ Statements [Jean Bedford]Essay1 October 1981
- An Infinite Onion: Narrative Structure in Peter Carey’s FictionEssay1 October 1983
- The Redemptive Theme in *His Natural Life*Essay1 June 1965
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Review of *Polities and Poetics: Race Relations and Reconciliation in Australian Literature* by Adelle Sefton-RowstonReview30 September 2022
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Romantic Attitudes in *Geoffry Hamlyn*Essay1 December 1965