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Early Evidence for ‘Bushranger’ and ‘Croppy’

Short Fiction Short Nation: The Ideologies of Australian Realism

Review of *D. H. Lawrence’s Australia: Anxiety at the Edge of Empire*, by David Game

Conceptualising Irish-Aboriginal Writing

The Chant of Thomas Keneally

Unknown Australia: Rosa Praed’s Vanished Race

Review of *Mudrooroo: A Likely Story*, by Maureen Clark

Review of *Tasmanian Visions: Landscapes in Writing, Art and Photography*, by Roslynn D. Haynes

Review of *The Postcolonial Eye: White Australian Desire and the Visual Field of Race*, by Alison Ravenscroft

Oodgeroo’s Work and Its Theatrical Potential

Introduction

Review of *Polities and Poetics: Race Relations and Reconciliation in Australian Literature* by Adelle Sefton-Rowston

Review of *The Cambridge Companion to the Australian Novel*, edited by Nicholas Birns and Louis Klee

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Primary Sources for the Study of the Vocabulary of Nineteenth Century Australian English

An Interview with W. Hart-Smith on the Jindyworobaks

How Newness (Not) Comes into the World: Eva Rask Knudsen’s *The Circle and the Spiral*

Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018

Recentring Water: Thinking with the Chain of Ponds

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award