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- ‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919Essay30 September 2021
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- ‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles FranklinEssay16 November 2016
- Annual Bibliography of Studies in Australian Literature: 1990Essay1 May 1991
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with JoyceEssay25 February 2018
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- Miles Franklin on Dearborn Street, Chicago, 1906-15Essay1 May 1982
- David Campbell’s Poetic MindEssay1 October 1984
- Selective Bibliography of the Contemporary Australian Short StoryEssay1 October 1981
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- A.B. Facey’s Australian AutobiographyEssay1 May 1987
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Impossible Literary HistoriesEssay1 October 2010
- Representation and Particularity in Pastoral: Some Examples from *Walden*Essay30 June 2015