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‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les Murray

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

An Absence of Partisanship

Ern Malley and His Rivals

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

Criminal Transport: George Barrington and the Colonial Cure

The Sun’s Fish Dreaming : The Poetry of Andrew Taylor

Brereton, the *Bulletin*, and A.G. Stephens

‘Talking with Yagan’s Head’: The Poetry of John Mateer

Not Reading the Nation: Australian Readers of the 1890s

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

Of Sages and Sybils: Alec Hope and Judith Wright

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

The Modernist Sacred: Randolph Stow and Patrick White

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek