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- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- 'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special IssueEssay30 October 2023
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- On Finding ‘Australia’: Mirages, Mythic Images, Historical CircumstancesEssay1 October 1986
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- Annual Bibliography of Studies in Australian Literature : 1971Essay1 May 1972
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000
- Society of Women Writers 1925-1935Essay1 May 2004
- Interview with Andrew TaylorEssay1 May 2004
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- Some Versions of Manifold: Brisbane and the ‘Myth’ of John ManifoldEssay1 October 2003
- ‘That Wild Run to London’ : Henry and Bertha Lawson in EnglandEssay1 October 2007
- Gender ButtonsEssay1 November 2009
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and FlushEssay1 June 2010