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Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Repetition and Christina Stead’s *The Man Who Loved Children*

On Not Having Sex: Sumner Locke Elliott and Queer History

Challenging the Editing of the Rachel Henning Letters

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

Introduction: The Uses of Irish-Australian Literature

‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*

The Values of *Critique*

Porous Realism and the Precarious Home in Ruth Park’s Fiction

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

The Historical Basis of For the Term of His Natural Life

William Hay and History : A Comment on Aims, Sources and Method

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

The ABC and The Sponsorship of Australian Radio Drama: 1932-1951

*An Imaginary Life*: The Dimensions of Self

The Dual Nature of Shaw Neilson’s Vision

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry