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- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- The Australian Home-Front Novel of the Second World War: Genre, Gender and RegionEssay1 May 2007
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- Gender ButtonsEssay1 November 2009
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*Essay1 November 2010
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional VerseEssay1 June 2014
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*Essay30 September 2022
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- Patrick White’s Studies for *Voss*Essay30 September 2022
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023