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‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of Translation

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

Wartime Reading: Romantic Era Military Periodicals and the Edinburgh Review

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Politics and Passion in Stead’s Late Novels

Repetition and Christina Stead’s *The Man Who Loved Children*

‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles Franklin

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

Shame in Ruth Park’s Inner Sydney Novels

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

A.G. Stephens: The Critical *Credo*

The Boer War: Paterson, Abbott, Brennan, Miles Franklin and Morant

Editing A.D. Hope

The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain Poems