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- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Christina Stead’s Student PublicationsEssay7 December 2016
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Fantasising the Nation for Child Readers in Early Australian Fairy TalesEssay11 December 2022
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*Essay1 May 1993
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- The Pursuit of Oblivion: In Flight from SuburbiaEssay1 November 1998
- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000