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Authors’ Statements [Shirley Hazzard]

Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore Ferrar

Introduction: The Uses of Irish-Australian Literature

‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

Transforming *Jane Eyre*: Its Australian Stage Adaptations

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

‘The Fullness of Life’: The Poetics and Politics of Jack Lindsay

‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into Italian

Out of Context: A Study of Thomas Keneally’s Novels

Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary Material

‘…The Wild Assertion of Vitality’

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Decomposing Suburbia: Patrick White’s Perversity

Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

Interview with Andrew Taylor