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After Libertarianism: An Interview with Michael Wilding

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Patrick White, Saul Bellow and the Problem of Literary Value

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

‘Our Literary Connexion’: Rosa Praed and George Bentley

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim Winton

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Textual Encounters of the Bird Kind: Dal Stivens and the Night Parrot

Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940s

Literary Festivals and Cultural Consumption

‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism

Capricornia : Seasonal, Diurnal and Colour Patterns