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- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*Essay25 February 2018
- The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*Essay25 February 2018
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Writing Disability in Australia: Transmedial Potentials for Illness/Recovery NarrativesEssay23 May 2022
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Vincent Buckley, Colonialism and the Problem of Irish-Australian IdentityEssay30 September 2021
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- The Values of *Critique*Essay30 October 2023
- Evaluating Literary Studies [FOR 4705] in Australia: Bad Data, Bad Peer ReviewEssay30 October 2023
- Recentring Water: Thinking with the Chain of PondsEssay25 May 2024
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024