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Ada Cambridge, G.F. Cross, and ‘The Modern Pulpit’

Spaces, Cargoes, Documents, Values and Principles: Some Recent Poetry Anthologies

Theory as Fireworks: An Interview with Brian Castro

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

Introduction: The Uses of Irish-Australian Literature

The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain Poems

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of Remembering

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

Australian Letters and Postwar Modernity

Reading Byron in Kororāreka: *The Journal of Ensign Best*