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The Return of the Fairy: Australian Medievalist Fantasy for the Young

Local Moderns: The Jindyworobak Movement and Australian Modernism

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

Delight and Revolution: Literary Studies, Aesthetics and Ideology

The Impact of Literature

Amanda Lohrey's *Vertigo*: An Australian Pastoral

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Parliamentary Medievalism: The Australian Magna Carta as Secular Relic

Books as Gifts: The Meaning and Function of a Personal Library

‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of Translation

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the Wars

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Short Fiction Short Nation: The Ideologies of Australian Realism

Repetition and Christina Stead’s *The Man Who Loved Children*

‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles Franklin

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**