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- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s MovementEssay1 May 2002
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- Reading (in/and) *Miranda*Essay1 May 2006
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- Of Sages and Sybils: Alec Hope and Judith WrightEssay1 May 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009