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Why Australia? Or Against the Fragmentation of English Literary Studies

Starting a Journal : ALS, Hobart 1963 : James McAuley, A D Hope and Geoffrey Dutton

New Directions: Introduction

‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures

Les Murray’s Talking Mosaics

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

Francis Adams: Realism and Sensation in the 1880s

Place, History and Story: Tony Birch and the Yarra River

Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

Out of Context: A Study of Thomas Keneally’s Novels

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

*The Battlers*: Kylie Tennant and the Australian Tradition

Patrick White’s *A Fringe of Leaves*: History and Fiction

Official Criticism? Critical Practices and Australian Poetry