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- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Miles Franklin and ‘The Survivors’Essay1 May 2011
- Charismatic Masculinity in David Malouf’s FictionEssay1 May 2010
- Helen Garner’s EducationEssay28 October 2021
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- ‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919Essay30 September 2021
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- The D.H. Lawrence - P.R. Stephensen LettersEssay1 May 1984
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian OutbackEssay30 June 2015
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Folksong - A ProtestEssay1 June 1966
- Henry Kingsley: *Ravenshoe*Essay1 October 1969
- Barbara Baynton: Woman as ‘The Chosen Vessel’Essay1 May 1983