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Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Defining the Field of Irish-Australian Literature: Challenges and Conundrums

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Caesura and the Deforming Poem: Rupture as a Space for the Other

Teaching the Value of Literature (and Other Paradoxes)

Textual Encounters of the Bird Kind: Dal Stivens and the Night Parrot

‘The Kingdom of Dust’: *Voss* as Planetary Epic

Picturising Patois in *The Sentimental Bloke*

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures

Les Murray’s Talking Mosaics

*His Natural Life* and Its Sources

Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural Discourse

Mal du Pays: Symbolic Geography in the Work of Randolph Stow