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James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Interview with David Malouf

Honour the Single Soul: Homage to Randolph Stow (1936-2010)

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Creative Acts: Archives, Artifacts and Australian Women’s Autobiographies

‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard Mahony

From the Harp of Erin to Erin of the Harp with Thomas Keneally

The Historical Basis of ‘Robbery Under Arms’

The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*

Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’

Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*

The World Outside Time : Slessor’s Five Bells

Review of *Xavier Herbert* by Laurie Clancy

Here Beyond My Knowing