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‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers

Patrick White’s Studies for *Voss*

‘The Kingdom of Dust’: *Voss* as Planetary Epic

‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

Transforming *Jane Eyre*: Its Australian Stage Adaptations

What is Australian Popular Fiction?

Some Developments in Short Fiction, 1969-1980

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988

After Libertarianism: An Interview with Michael Wilding

Official Criticism? Critical Practices and Australian Poetry

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Good Readers and Good Citizens: Literature, Media and the Nation

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

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