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‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

‘How to encourage our literature’: Australian Fiction in the Australian Public Library

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Phonographic Books and the Late Nineteenth-Century Reader

Review by Julian Croft

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

Review of *Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955-1964*, by Paul Genoni and Tanya Dalziell

An R.H. Horne Poem on Burke and Wills

Review of *Harry Heathcote of Gangoil: A Tale of Australian Bush Life* by Anthony Trollope; with an Introduction by Marcus Muir

Kenneth Slessor and the Grotesque

The Language of Australian Literature

Review of *Christina Stead* by R. G. Geering

A New Light on ‘The Orange Tree’?

Notes on A.D. Hope: A Bibliography (1968)

Review of *Witnesses of Spring: Unpublished Poems* by Shaw Neilson

Authors’ Statements [T. A. G. Hungerford]

Facts and Fiction: Revaluing Helen Simpson’s *Boomerang*