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‘The Critics Made Me’: The Receptions of Thomas Keneally and Australian Literary Culture

Review of *James Smith: The Making of a Colonial Culture* by Lurline Stuart, and *James Edward Neild: Victorian Virtuoso* by Harold Love

Review *Henry Lawson, a Life* by Colin Roderick, *The Order of Things: A Life of Joseph Furphy* by John Barnes, and *The Life and Opinions of Tom Collins: A Study of the Works of Joseph Furphy* by Julian Croft

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

Authors’ Statements [Thea Astley]

Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*

A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)

Anthologies and Orthodoxies

A Survey of Australian Utopian and Dystopian Fiction

‘Interest’ in Les A. Murray

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

Poetry and Politics in Oodgeroo: Transcending the Difference

Michael Wilding’s Three Centres of Value

Excavating a Bonanza: Sarah Campion

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

Criminal Transport: George Barrington and the Colonial Cure

Review of *Bluestocking in Patagonia*, by Anne Whitehead

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820s