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A Reconsideration of Christina Stead at Work: Fact into Fiction

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Man, Work and Country: The Production of Henry Lawson

Australian Literary and Scholarly Publishing in Its International Context

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

The Fiction of Gabrielle Lord

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

The Sun’s Fish Dreaming : The Poetry of Andrew Taylor

The Great Southern Land: Asian-Australian Women Writers Re-View the Australian Landscape

Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley Walker

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

Tainted Testimony : The Khouri Affair

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

The Golden Fish: On Reading J. S. Harry

Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony Lawrence

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional Readers