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Review of *Christina Stead* by R. G. Geering

A New Light on ‘The Orange Tree’?

Notes on A.D. Hope: A Bibliography (1968)

Review of *Witnesses of Spring: Unpublished Poems* by Shaw Neilson

Authors’ Statements [T. A. G. Hungerford]

Facts and Fiction: Revaluing Helen Simpson’s *Boomerang*

From Ballarat to Bendigo with Mark Twain

Editors’ Statements [Craig Munro]

Review of *The Oxford History of Australian Literature* ed. by Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. Wilkes

Review of *The Oxford History of Australian Literature* ed. Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. Wilkes

Review of *Straight Left* by Katharine Susannah Prichard *An Introduction to Australian Literature* ed. C.D. Narasimhaiah, and *A Common Wealth of Words* ed. Maureen Freer and Ken Goodwin

The Reviewer and Miss Robertson

Charles Reade, Wilkie Collins, and Marcus Clarke

Art as Reflection in Jessica Anderson’s *Tirra Lirra by the River*

Some Sources of *White Stag of Exile*

Review of *A History of Australian Literature, vol 1 1789-1923, vol. 2 1923-1950* by H.M. Green, rev. Dorothy Green; and *A History of Australian Literature* by Ken Goodwin

Review of *The Australian Stage: A Documentary History*, ed. Harold Love

Review of *The Australian Short Story before Lawson*, ed. Cecil Hadgraft

Steele Rudd’s Real Dad: An Exiled Convict?

Review of *The Lyre in the Pawnshop: Essays on Literature and Survival 1974-1984* by Fay Zwicky; and *The Uncertain Self: Essays in Australian Literature and Criticism* by Harry Heseltine