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- H. G. Wells in AustraliaEssay30 May 1990
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- The Communion of Clouds: Becoming-Woman in Coetzee’s *Waiting for the Barbarians*Essay25 February 2018
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of CloudstreetEssay26 February 2017
- Gay and Lesbian Writing and Publishing in Australia, 1961-2001Essay1 May 2010
- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Back to Whitton Week: Tracking Tom Keneally's CareerEssay30 May 2015
- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- Interview with Randolph StowEssay1 May 1982
- The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947Essay1 October 1987
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015