Your search for “women’s” found 87 results

Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*

‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great War

‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada Cambridge

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

The Great Southern Land: Asian-Australian Women Writers Re-View the Australian Landscape

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

Reading in Public: Irene Longman and Citizenship

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

Irish Republicanism and the Colonial Australian Bushranger Narrative

Introduction: The Uses of Irish-Australian Literature

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction