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Preying on the Past: Contexts of Some Recent Neo-Historical Fiction

‘untranscended / life itself’: The Poetry of Pam Brown

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

Annual Bibliography of Studies in Australian Literature: 1986

Annual Bibliography of Studies in Australian Literature: 1994

Annual Bibliography of Studies in Australian Literature: 2007

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Some Volumes of Selected Poems of the 1970s, II

Selective Bibliography of the Contemporary Australian Short Story

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Gender and Race Relations in Elizabeth O’Conner’s Northern Homesteads

The Great Southern Land: Asian-Australian Women Writers Re-View the Australian Landscape

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Beyond Capricornia: Ambiguous Promise in Alexis Wright

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Politics and Passion in Stead’s Late Novels