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- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993
- The Tennysons in Literary AdelaideEssay31 October 2015
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Review of *Australian Poets* seriesReview1 December 1964
- Australia’s ‘First’ DramatistsEssay1 May 1969
- A Checklist of Australian Literature of World War IEssay1 October 1969
- Hal Porter’s Comic ModeEssay1 October 1970
- Catherine Helen Spence, Unitarian UtopianEssay1 May 1971
- Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’Essay1 October 1970
- Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig LeichhardtEssay1 October 1982
- Here Beyond My KnowingEssay1 May 1985
- Some Volumes of Selected Poems of the 1970sReview1 May 1981
- Lawson, the *Bulletin* and the Short StoryEssay1 May 1983
- An Infinite Onion: Narrative Structure in Peter Carey’s FictionEssay1 October 1983
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- *The Watcher on the Cast Iron Balcony*: Hal Porter’s Triumph of Creative ContradictionEssay1 May 1986
- ‘What You See Must Be Other’: Language and Eros in the Poetry of Richard Kelly TippingEssay1 May 1988
- Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey SerleReview1 May 1989
- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015