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- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- Charles Rowcroft, For ExampleEssay1 June 1966
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- *Geoffry Hamlyn* Through Contemporary EyesEssay1 December 1966
- The Language of Australian LiteratureEssay1 June 1967
- Review of *Twentieth Century Australian Literary Criticism*, edited by Clement SemmlerReview1 May 1968
- Review of *The Poet Militant: Bernard O'Dowd* by Hugh Anderson; and *Christopher Brennan: Some Recollections* by Richard PenningtonReview1 October 1970
- Review of *Henry Lawson, Letters 1890-1922* edited by Colin RoderickReview1 May 1971
- Review of *Witnesses of Spring: Unpublished Poems* by Shaw NeilsonReview1 October 1971
- Patrick White’s *The Vivisector*: The Artist in Relation to His ArtEssay1 October 1971
- Review of *Social Patterns in Australian Literature* by T. Inglis MooreReview1 May 1972
- Annual Bibliography of Studies in Australian Literature: 1981Essay1 May 1982
- [Statement]Essay1 October 1985
- Commonwealth Patronage for a Patron’s DaughtersEssay1 October 1982