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Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Future Tense: *Dead Europe* and Viral Anti-Semitism

Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of Representation

Review of *Bluestocking in Patagonia*, by Anne Whitehead

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon Watson

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Elizabeth Jolley’s Late Work

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

Counter-Poetics

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Minding Elephants and the Rhetorics of Destruction

Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive Senior

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

‘How to encourage our literature’: Australian Fiction in the Australian Public Library

English Studies in Australia: Repositioning the Subject

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music