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Reading in Public: Irene Longman and Citizenship

Poetry, Activism and Cultural Capital

Phonographic Books and the Late Nineteenth-Century Reader

Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney Literatures

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Politics and Passion in Stead’s Late Novels

Who is My Neighbour?: Tim Winton’s ‘Aquifer’ and the Ghosts of Cloudstreet

Colonial Violence and Forgotten Fiction

Displaced Homelands in Gerald Murnane’s *Inland*

Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*

Terms of Ambivalence: Cultural Politics and Symbolic Exchange

By Association: Crafting Mission and Values Statements for the Australian University Heads of English

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* Trilogy

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Porous Realism and the Precarious Home in Ruth Park’s Fiction

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers