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Review by Julian Croft

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Kenneth Slessor and the Grotesque

Review of *The Poet Militant: Bernard O'Dowd* by Hugh Anderson; and *Christopher Brennan: Some Recollections* by Richard Pennington

A New Light on ‘The Orange Tree’?

Review of *Social Patterns in Australian Literature* by T. Inglis Moore

Imitations and Versions of Russian Poetry: The Record of an Experiment

Review of *The Passing Guest: A Life of Henry Kingsley* by J.S.D. Mellick

Review of *The Oxford History of Australian Literature* ed. by Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. Wilkes

Review of *The Oxford History of Australian Literature* ed. Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. Wilkes

Charles Reade, Wilkie Collins, and Marcus Clarke

Review of *Catherine Helen Spence* ed. Helen Thomson; and *Point of Departure. The Autobiography of Jean Devanny* ed. Carole Ferrier

A Christina Stead Letter

Review of *Louisa* by Brian Matthews

A Prodigious Dilemma: Gwen Harwood’s Professor Eisenbart and the Vices of the Intellect

Review of *Norman Lindsay: The Embattled Olympian* by John Hetherington

Bringing Franklin Up to Date: The Film of *My Brilliant Career*

Annual Bibliography of Studies in Australian Literature: 1991