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Christina Stead: A Checklist

John Grant: Australia’s First ‘Really’ Radical Poet

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

*Fredy Neptune*: Metonymy and the Incarnate Preposition

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Words, Sticks and Stones: Keneally, Literature and Social Impact

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

‘Our Literary Connexion’: Rosa Praed and George Bentley

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

Literary Aspiration and the Papers of William Gosse Hay

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

**Contingencies of Meaning Making: English Teaching and Literary Sociability**

Kangaroo Redux: Reading the Conflicts of South Australian Settler Colonialism in W.A. Cawthorne’s *Kuperree*

Irish Protestant Colonialism and Educational Ideology in Australia:** **Hannah Boyd’s *Letters on Education* (1848)

Teaching the Value of Literature (and Other Paradoxes)