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- Review of *The Passing Guest: A Life of Henry Kingsley* by J.S.D. MellickReview1 May 1984
- Review of *The Oxford History of Australian Literature* ed. by Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. WilkesReview1 May 1982
- Review of *The Oxford History of Australian Literature* ed. Leonie Kramer, and *The Stockyard and the Croquet Lawn* by G.A. WilkesReview1 May 1982
- Charles Reade, Wilkie Collins, and Marcus ClarkeEssay1 May 1984
- Review of *Catherine Helen Spence* ed. Helen Thomson; and *Point of Departure. The Autobiography of Jean Devanny* ed. Carole FerrierReview1 October 1987
- A Christina Stead LetterEssay1 October 1987
- Review of *Louisa* by Brian MatthewsReview1 May 1988
- A Prodigious Dilemma: Gwen Harwood’s Professor Eisenbart and the Vices of the IntellectEssay1 May 1973
- Review of *Norman Lindsay: The Embattled Olympian* by John HetheringtonReview1 May 1974
- Bringing Franklin Up to Date: The Film of *My Brilliant Career*Essay1 May 1980
- Annual Bibliography of Studies in Australian Literature: 1991Essay1 May 1992
- Review of *James Smith: The Making of a Colonial Culture* by Lurline Stuart, and *James Edward Neild: Victorian Virtuoso* by Harold LoveReview1 May 1990
- Annual Bibliography of Studies in Australian Literature: 1990Essay1 May 1991
- Ada Cambridge, G.F. Cross, and ‘The Modern Pulpit’Essay1 May 1992
- Australian Literary LivesEssay1 October 2003
- Alan Wearne: InterviewEssay1 November 1998
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023