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- Oodgeroo as Friend and ArtistEssay1 November 1994
- New Directions Via *A Body of Water*Essay1 October 1995
- Heterotopias: Writing and LocationEssay1 October 1995
- Person, Persona and Product: Henry Kendall and ‘Steele Rudd’Essay1 May 1996
- An Interview with Vivian SmithEssay1 October 1995
- Review of *Sumner Locke Elliott: Writing Life. A Biography*, by Sharon Clarke, and *Pioneer Players: The Lives of Louis and Hilda Esson* by Peter FitzpatrickReview1 October 1996
- Patrick White and Murray Bail: Appropriations of ‘The Prodigal Son’Essay1 May 1991
- Review of *List of Australian Writers 1788-1992*, comp. by John Arnold, and *The Oxford Companion to Australian Literature*, by William H. Wilde, Joy Hooton, and Barry AndrewsReview1 May 1996
- Review of *Locating Australian Literary Memory*, by Brigid MagnerReview29 October 2020
- A View from Somewhere New (Review Essay)Review1 May 1999
- Looking for the History in Literary History: Review of *The Oxford Literary History of Australia*Review1 October 1999
- Review of *Jean Devanny: Romantic Revolutionary*, by Carole FerrierReview1 October 2000
- *My Brilliant Career*: The Career of the *Career*Essay1 October 2002
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential FriendEssay1 October 2005
- Review of *Thomas Keneally’s Career and the Literary Machine* by Paul Sharrad.Review28 October 2021
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- Review of *Transcultural Ecocriticism: Global, Romantic and Decolonial Perspectives*, edited by Stuart Cooke and Peter Denney.Review11 December 2022
- Authors’ Statements [Shirley Hazzard]Essay1 October 1981
- Blood and Names: Spectres of Irishness in Ruth Park’s *The Harp in the South* TrilogyEssay3 October 2024