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- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- Reading (in/and) *Miranda*Essay1 May 2006
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and CanadaEssay1 October 2006
- The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and YasbincekEssay1 October 2007
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Generations Lost and Found: Reading Women Writers TogetherEssay1 October 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015