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Australian Gothic: Theatre and the Northern Turn

Indigenous Literature and the Extractive Industries

Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius Barbeau

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

Toward Worlding Settler Texts: Tracking the Uses of Miles Franklin’s *My Brilliant Career* through the Curriculum

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919

Teaching the Value of Literature (and Other Paradoxes)

Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940s

Bruce Dawe and the Americans

The Hero’s ‘Fear of Freedom’ in Keneally

Walter Murdoch : ‘A Humble Protest’?

Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian Outback

Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*

Introduction

Louis Stone’s ‘Jonah’ : A Cinematic Novel

The Surrender to Truth in The Early Australian Novel