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How Australia’s Literary History Might be Written

Review of *Vance Palmer* by Harry Heseltine

A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey Lehmann

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

A Reconsideration of Christina Stead at Work: Fact into Fiction

Michael Wilding’s Three Centres of Value

The Literary Reputation of Adam Lindsay Gordon

Review of *Bluestocking in Patagonia*, by Anne Whitehead

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

Friendship in a Time of Loneliness

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael Weaver

Daemonic Currents in Dorothy Porter’s Poetry

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

In the Club: Australian Crime Fiction in the USA 1943-1954

Jack Lindsay’s Historical Writings

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

Beatrice Davis and ‘The Sacredness of the Printed Word’

Literary Aspiration and the Papers of William Gosse Hay

Teaching the Value of Literature (and Other Paradoxes)