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- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Reading DickensEssay1 October 2014
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- ‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold WarEssay1 November 2015
- James Lester Burke, Author of *Martin Cash*Essay1 June 1965
- Review of *Kenneth Slessor* and *The Banjo of the Bush: The Work, Life and Times of A.B. Paterson* by Clement SemmlerReview1 June 1967
- Henry Kingsley and the Australian LandscapeEssay1 October 1970
- Review *Kenneth Mackenzie* by Evan JonesReview1 May 1970