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Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Australian Literary and Scholarly Publishing in Its International Context

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

*Geoffry Hamlyn* and Its Australian Setting

Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley Walker

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

Reading (in/and) *Miranda*

Reading Kate Llewellyn’s Garden(Books)

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Generations Lost and Found: Reading Women Writers Together