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In the Beginning: David Malouf’s *An Imaginary Life*

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Manifesting Literary Feminisms: Nexus and Faultlines

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Afterword: The Story of a Bookmark

Indigenous Literature and the Extractive Industries

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

Interview with David Malouf

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Teaching the Value of Literature (and Other Paradoxes)

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)