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Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Brereton, the *Bulletin*, and A.G. Stephens

Imagining Transcendence: The Poetry of David Malouf

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

Conceptual Poetry, Nonconceptual Poetry, Postconceptual Poetry

The Politics of English Studies in India

Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Literary Aspiration and the Papers of William Gosse Hay

The Australian Career of John Lang, Novelist

Some Poems of Judith Wright

A. G. Stephens as Editor of Barcroft Boake’s Poems

Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*

Authors’ Statements [Rae Desmond Jones]

Authors’ Statements [Barry Hill]