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Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

The Company She Keeps: Demidenko and Imposture in Autobiography

Future Tense: *Dead Europe* and Viral Anti-Semitism

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon Watson

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Reading English

Where Literary Studies Is, and What It Does

‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print Culture

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

Towards the Source of ‘The Wanderer’

Before the Nation: Rolf Boldrewood and the Problem of Scale in National Literatures

Review of *The Literature of Australia*, edited by Geoffrey Dutton

Review of *Louis Becke* by A. Grove Day, and *South Sea Supercargo* by Louis Becke, edited and with Introduction by A. Grove Day